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  4.9.2003>>30.9.03  .   .   .   .   . .   .   .   .     "Sculptural Installation"

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The exhibition Sculptural Installation will be on display at the Office in Tel Aviv Gallery from September 4, 2003.

Noga has secrets: the secret of reduction, the secret of sensuality, the secret of mobility, and the secret of sculpture-wrapping. She likes the silence and creates from a closed inner world, locked up with feelings of mourning that are covered with many layers of new hues devised in the course of her life.

Yudkovik-Etzioni creates personal sculptures,best replica watches clearly defined in terms of form. Typified by sensual seduction, they strongly evoke the desire in the viewer to touch the objects that seem to have assumed a mindset all their own. It is not the perfection of these sculptures that is so luring, but rather their fragility. Their rawness conjures up enchanting moments of temptation. The objects' variegated coloration and their tactile quality generate sensual pleasure, allowing for their storage in the memory box.

The four sculptures in the current show elucidate the very essence of Yudkovich-Etzioni's work process - the act of concealing and wrapping with fabrics, the mobility, the treatment of the image, whether it is concretely defined, like the crocodile, or remains abstract. At times she takes an existing object, such as a fin, infusing it with a new life. The sculptures she dubs 'objects' assume a life of their own once they are formed. It is a proven fact that once her own hands have created them, she can actually hear them: "Once they infiltrate my inattention, I can hear the noises emerging, flowing, scattered, as if they emanate from another world." The objects elicit visual memories in her, originating in some prior experience. The fog she has cast on the bereavement that accompanied her childhood is clearly discernible in the objects wrapped in translucent fabrics, in layers that conceal the sculpture's interior, yet reveal the intricate stratification in an attempt to wrap the form with soft, elastic textiles that are only ostensibly transparent.

How does a sculpture crystallize? "At times I see an amorphous shape on the street and imagine a puddle," she says. It can be triggered by color or by form. On the way to active creation, the object's aesthetic qualities come into play, without delineating boundaries. The sculptures-objects are distinctively created manually, calling to mind the nature of works by artists such as Louise Bourgeois and Marie-Ange Guilleminot.

Six round shapes reminiscent of gigantic buttons, or alternatively, round car mines, will be installed on the gallery floor: a crocodile, a bomb, and fins, among others, will emerge from a niche in the wall.

Noga Yudkovik-Etzioni 1962 Born in Kibbutz Kfar Giladi. Lives and works in Tel Aviv. 1991 B.F.A., Bezalel Academy of Art and Design, Jerusalem. 1995 M.F.A., Gerrit Rietveld Academie, Amsterdam. 1989 Excellence Award on behalf of the Sharet Scholarship Program, America-Israel Cultural Foundation. 1990 Prize for Academic Excellence, Bezalel Academy of Art and Design, Jerusalem.